Carry one face through a clip so a catalogue stays one performer at FlowBioLinks. Priced by length and resolution, with a suitability guide.
Priced by clip length and resolution, shown before you confirm. Failed jobs refund automatically.
Clips gathered from different rooms and different months should still star the same woman. The video face swap at FlowBioLinks carries your character’s face through existing footage, priced by clip length and resolution on the video_face_swap model and shown before you confirm. The still rules apply with interest: one source portrait, steady footage, and judgement at the joins.
Motion gives a swap nowhere to hide. The face must be found, tracked and re-lit in every frame, so the footage that swaps well is footage that behaves: a camera that holds still or drifts slowly, one light that stays lit, a face that stays clear of hands, hair and props. Short clips hold best. A three-second turn re-cast cleanly is worth more to a catalogue than a thirty-second scene that breaks at every profile. Your own footage, or footage you hold documented consent to transform — the rule does not soften because the clip is short.
The same frontal, evenly lit portrait used for still swaps. One source across stills and video is what keeps her identical in both.
Short, single-light, face clear. Judge the source clip before it costs anything: if the face is lost in the original, it is lost in the swap.
Turns, crossings, changes of light — watch the whole clip at full size, at the joins, before anything ships.
Clips made in different rooms and different months, re-cast so the catalogue reads as one woman throughout.
A scenario briefed once and shot plainly becomes your character’s scene once the transfer is done.
When the performance holds and only the face is wrong, repair the cheaper half of the problem.
| Trait | Holds well | Strains the swap |
|---|---|---|
| Face angle | Frontal to three-quarter | Long passages in profile |
| Camera | Still, or moving slowly | Whip pans, heavy shake |
| Light | One light, held through the clip | Strobe, hard cuts between setups |
| Obstruction | The face clear | Hair, hands or props crossing it |
| Symptom | Cause | Correction |
|---|---|---|
| The face slips at a turn | Profile passages starve the tracker | Cut the clip at the turn; swap the frontal passage |
| Flicker across frames | The light changes mid-clip | Use single-light footage; grade after the swap |
| She ages or softens | The source portrait was a still swap | Return to the original portrait, always |
Your own face, or a fictional character’s, set onto footage you own or hold documented consent to transform. Real third parties without consent are prohibited.
By clip length and resolution, calculated per job and shown before you confirm. Failed jobs refund automatically.
At a profile turn, a change of light, or something crossing the face. Short, steady clips hold best; judge the joins before anything ships.
Yes — the same file. One source across stills and video is what keeps a character identical in both.
No. Sources, clips and results rest private in your account.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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